Nicholas (Nick) Toce was an experienced hand in the restaurant business by the time he and actor Albert Raymo opened Adano Italian Restaurant in New York City’s theater district in 1945. Through most of the 1930s Toce had owned and operated the Village Brewery, a lively restaurant and nightspot at 186 West 4th Street in Greenwich Village, and in 1938 he’d converted its main dining room into the golf-themed “19th Hole,” with pictures of famous golfers on the walls and an indoor driving range downstairs. in 1942 he’d relocated to Hartford, Connecticut, for a brief stint as the owner of the Colony Restaurant at 506 Farmington Avenue. But in 1945 Toce made his way back to New York City, bought Lorraine’s Restaurant at 115 West 48th Street, and, in partnership with Raymo, turned it into Adano.
Toce and Raymo drew the name for their restaurant from John Hersey’s novel, A Bell for Adano, which had been published in 1944 and made into a Broadway play the same year. It tells the story of an Italian-American officer in Sicily during World War II who wins the respect and admiration of the citizens of the small town of Adano (based on the real town of Licata) by helping them find a replacement for the town bell that Benito Mussolini’s Fascists had melted down for rifle barrels. Hersey’s book was awarded the Pulitzer Prize for fiction in 1945 and that year was also made into a major motion picture.
The Broadway production of A Bell for Adano opened at the Cort Theatre on December 6, 1944. Fredric March was cast in the lead role as Major Victor Joppolo, and Raymo in a minor but important role as Pietro Afronti, a belligerent cart-driver. Adano, appropriately, was right across from the Cort (today the James Earl Jones Theatre) at 138 West 48th, and in all likelihood Raymo, who was also a talented artist, painted the mural-like scenes of Italy that decorated the restaurant’s walls. But Raymo seems to have gone his own way soon after A Bell for Adano closed ion Broadway in October 1945.
Toce, who was not yet even a teenager when he came to the United States from Italy in 1900, had served such distinctly American foods as fried chicken in the restaurants he’d previously owned. But with Adano he finally got the chance to go full-bore Italian. Approached in 1937 by the “Inquiring Photographer” of the New York Daily News, he’d made a case for the superiority of his native cuisine. “Italian food is most appetizing because it is cooked in good oils and is generally a blend of the finest ingredients,” he explained. “In other words, a good Italian cook is a good dietician.”
Toce saw to it that the generous assortment of antipasti awaiting guests as they entered Adano’s dining room—including fried zucchini, stuffed artichokes, stuffed mushrooms, and stuffed peppers—was prepared from scratch each morning. Likewise, he insisted that all the pasta served at the restaurant be made on the premises, and there were lots of pasta dishes to be had, including lasagna, manicotti, and spaghetti with either red or white clam sauce. Other entrées included such Italian mainstays as Chicken Romano and Veal Rollatini. For dessert the best choice was always the house-made rum cake, an Adano specialty.
In 1951 Toce died at age 63 after what the New York Times described as “a long illness.” At that point his widow, Mamie, took over operations at Adano, backed by Claudio Stagnaro, the restaurant’s Genoa-born head chef.
Adano ambled through the years ahead quite successfully, but as Mamie turned 70 in the mid-1960s she evidently began to think about retiring. In 1967 Craig Claiborne of the New York Times gave Adano a one-star review, writing that the menu was “by and large standard” and that the food was “prepared and seasoned with a somewhat heavy hand.”
Adano closed the following year, with its fixtures and furnishings sold at auction.
Mamie Toce died in New York City in 1982 at age 88.